Left 4 Dead is a cooperative shooter. You play one of four survivors fighting hoards of “infected.” There are four stories, each with five chapters, detailing the survivors escaping from a variety of zombie-movie standards, such as fighting through a hospital to a helicopter pickup on the roof, or getting to the airport to get on the last plane out of the city. You can play with friends online, or with two people locally, but what really shines is Versus mode, where half the players are survivors, and the other half play zombies. You spawn near the survivors, and basically grief them as they fight their way through the level. One nice touch is that the coop campaign and the versus campaign are the same – the only difference is whether a human player is controlling some of the zombies. It’s incredibly easy to pick up, has virtually no commitment needed (a campaign can be played in an hour), and yet has enough strategy to make it worth playing over and over. I absolutely love this game, and it has supplanted all other games at our LAN parties, includingHalo 3. This is the game that will sell you on playing with friends over xbox live, and convince you to get a gold account, if you haven’t already.
Tag Archives: zombies
Fallout 3 First Impressions
I’ve only played for a few hours, and I’ve only made it a few hundred feet outside the Vault so far, but what I’ve seen, I like very much. The character creation system is clever, starting you out as a baby, and learning how to move around and interact with people. Eventually you take an aptitude test which helps determine which skills you start with. Most important though, is I think they nailed the feel of the original games. It feels a little strange bolted onto the Oblivion engine, but they’ve done a good job of adapting it to allow shooting. The shooting is not quite as fluid as a dedicated game like Halo, but it definitely works, and the addition of VATS for RPG-like targeting works well, and the results are often hilarious, just like the original games. I can’t wait to play more.
I Am Legend (movie): One Paragraph Review
Will Smith is Robert Neville, the only survivor of a plague that has killed 90% of humanity, and left the rest infected with a disease that turns them into vampire-like monsters. Neville was a military scientist studying the disease, which originated as a cure for cancer. Even as the rest of Manhattan rushes to evacuate, including his family, he refuses to leave because New York is “ground zero for the outbreak.” We catch up on his back story in flashbacks while we watch Neville go about his daily routine, hunting for food, scavenging for supplies, and even capturing infected survivors to test possible cures on. The movie’s plot deviates significantly from the novel, but for the most part, I thought the changes were decent, and reasonable adaptations for the big screen. The ending (which is the biggest change) is somewhat weak, and attempts to pick up the redemption theme that was introduced inThe Omega Man. Just like the other movies and the original novel, the best parts of this film are early on, looking into the psychology of a survivor. Will Smith said in interviews that he spoke with prisoners who spent long periods of time in solitary confinement, and that research shows in the way Neville painstakingly follows his routine, staying alive almost out of force of habit, and the near-breakdown he suffers when his routine is disrupted by another survivor. Of the three, this is easily the best adaptation, and even if you hate the ending, the first half is incredibly good. I can’t recommend this highly enough.
This review is the fourth in a four-part series reviewing Richard Matheson’s novelI am Legend, and the three movies that have been made based on it: Vincent Price’sThe Last Man on Earth, Charlton Heston’sThe Omega Man, and Will Smith’sI am Legend.
I Am Legend (novel): One Paragraph Review
Robert Neville is the only survivor of a global pandemic which causes the people it kills to rise again as vampires. At night, he barricades himself inside his home in southern California as the vampires gather outside his house, taunting him to come outside. His days are an endless routine of repairing the house, disposing of bodies, and hunting for the vampires’ hiding places. In the three years since everyone died, the only other living thing Neville has seen is a dog that he spends weeks befriending. So when he comes across a living woman one day, his entire world is turned upside down. Like the movie adaptations, the novel really shines when it focuses on how Neville keeps himself (barely) sane by immersing himself in the constant work of survival. Whenever his thoughts stray to memories of the events leading up to the catastrophe, the death of his family, or even just wondering why he works so hard to survive, he starts to unravel. After all, what’s the point of surviving if you’ll never see another human again? Matheson thought of this as a science fiction novel, and dedicates a large part of the story to scientifically explaining details of the vampire myth like garlic and wooden stakes, but the explanations all feel like too much of a stretch. Still, this book not only led to three movie adaptations, it virtually single-handedly spawned the zombie movie genre, so it’s easy to ignore the weak parts and focus on the day-to-day reality of the last man on Earth.
This review is the third in a four-part series reviewing Richard Matheson’s novelI am Legend, and the three movies that have been made based on it: Vincent Price’sThe Last Man on Earth, Charlton Heston’sThe Omega Man, and Will Smith’sI am Legend.
The Last Man on Earth: One Paragraph Review
As far as he can tell, Dr. Robert Morgan (played by Vincent Price) is the only survivor of a plague that turns its victims into shuffling zombie-like vampires. Through flashbacks, we see the onset of the disease, and the growing horror as increasing numbers of people become infected, including Morgan’s wife and daughter. Price’s droning narrative really emphasizes the growing monotony of Morgan’s daily routine of sharpening stakes, disposing of bodies, gathering supplies and killing vampires. At night he barricades himself and listens to loud jazz records to cover the sounds of the vampires, including a former coworker, taunting him and trying to break into the house. Compared toThe Omega Man, Price does a better job of portraying the bleakness of survival for survival’s sake, but Heston did a better job of playing a character on the edge of a total breakdown. This version is much closer to the original novel, especially the ending. In all, I found this version to be more somber, and I felt more sympathy for the character — though having grown up associating Price with horror films, it was hard to accept his distinct voice as a regular familyman.
This review is the second in a four-part series reviewing Richard Matheson’s novelI am Legend, and the three movies that have been made based on it: Vincent Price’sThe Last Man on Earth, Charlton Heston’sThe Omega Man, and Will Smith’sI am Legend.




